Monday, February 28, 2011

KinderBach- Susan's Review of a Preschool Piano Program

Have you ever heard of KinderBach?
It's a piano program for preschoolers that is available online at KinderBach .com and can also be shipped as a package to your home.  There are packages for use at home and also for preschools and daycares.  I watched the videos available to families but do not know what is offered for preschool centers.  If you run a preschool, maybe you'd like to check it out.
Meet Dodi the Donkey from KinderBach!
Now, I haven't used this program with children but I am always interested in programs that use modern technology and animation.  I can not see myself using any of them for many reasons...most of them being lack of "musicality" and "healing" reasons.  (I think of healing as "wholing" or "making whole" or "whole learning".) 

Except...
I think there are many families that could make good use of these kind of home-study programs with their children. With a "daypass" from KinderBach you can watch and listen to almost every lesson available for one day.  I did this.  (yes...I probably could have found things more interesting to do on a Sunday...but this is what I ended up doing...and it was fun:).

Here's my initial take on the home program:
Pros
  1. I think many children (preschool and primary ages) would love this kind of fun, animated, colorful program.
  2. Inexpensive due to the fact you revisit and rewatch any lesson at any time and several children can watch the lessons simultaneously.
  3. Inexpensive due to the fact parents can provide a small electronic keyboard or even a paper keyboard to start .
  4. Lovable characters that help to teach every concept from beat, rhythm, melody, notation
  5. Some catchy tunes/arrangements.
  6. PDF downloads for children to color that support concepts taught on the online video.
  7. It's a discovery program not a performance program which keeps learning fun and playful.
  8. Excellent alternative for parents who are housebound (for whatever reason) with small children and can not get out the door to a real teacher.
  9. The child does need an adult to assist with organization of some materials.  I think this is a good thing.  For some parents this will be a con!
  10. I enjoyed Karri Gregor.  She is the creator and voice behind the lessons.  I like her pink crocs!
  11. Lessons progress very slowly and for most young children this will be great.
  12. Excellent method to convey extremely basic music theory concepts regardless of what instrument you are learning.
  13. Offers a more valuable way to spend time in front of screen than watching most children's TV shows. 
  14. Even adults could learn about music with this program. My husband was riveted by Dodi the Donkey and his home in between the 2 black keys.  :)
  15. There is an introduction to composing through "Bach Talk".
  16. I LOVE finger football...the coaches help children learn about fingering...it made me laugh!
Cons
  1. My personal dislike of the kind of electronic music in this program is that there is nothing really "healing" about it.  My husband asked to turn off the sound after a few minutes...so I used headphones...but even I turned off the sound and ended up reading some of the lessons.  
  2. Acoustic learning offers something that is just unavailable with modern technology at this point.  So this program doesn't fall into my sense of acoustic instrumental learning.
  3. To complete this program you have to sit with a computer screen or TV.  The physical vibrational and emotional effects of sitting with a real person (as opposed to a computer or TV) are healing (even if you don't think you need any "healing") and unless an attentive (key word here is attentive) parent sits with the child during the whole program you don't get this healing with the program.
  4. To complete this program you have to sit with a computer or TV.  The physical vibrational effects of touching and hearing an acoustic keyboard are healing (even if you don't think you need any "healing")  and you don't get this with the screen program KinderBach.
  5. The immediate feedback a child receives from a real teacher just can not be offered by a computerized program
  6. No real experience improvising or playing in real time with a real musician.  All those non-verbal cues and emotional learnings are most effectively learned from a real person and are some of the most valuable skills a musician can possess.  Children improvise right from their very first lesson if I'm involved.
  7. Learning to play piano this way is primarily a "visual" learning and not so much "auditory" learning.

Would I recommend this to parents?
More Pros than Cons according to my review EXCEPT for me the cons carry more weight than the pros.  I will definitely tell the parents at my studio (even parents of my piano students) about this program.  It may be interesting to some of them and a nice resource to have in the house...rather than watching TV.  I  know it's not going to be that attractive to them though.  They are choosing to make the effort to leave their homes so their children have the opportunity to spend.time.with.me

If you are a teacher...I recommend letting as many people as possible know about these programs because it gives so much more value to the developmental-people work you are doing and that you are excellent at doing!

Learning technique and theory are valuable and really can be conveyed by machines and computer programs but the intangible learnings seem to be absorbed by hanging out with real people.  

Ever wonder why piano is always offered in these kinds of computerized children's programs and not violin? harp? cello? ocarina?   

I think it's because piano can be taught visually and music theory is easier to teach with visuals.  Often the most musical musicians don't play piano...they've had to learn music with their ears and hands not as much with eyes.  

Just interesting to me!

Friday, February 25, 2011

Adrian Anantawan Schindler's List


More than piano in this video!
A Canadian violinist, Adrian Anantawan has overcome his physical challenges being a child amputee.
This beautiful piano/violin duet showcases Adrian's exceptional talent with a sensitive piano accompaniment.
Enjoy!

Monday, February 21, 2011

Sunday afternoon piano concert

I have not been to a Sunday afternoon piano concert in many years.  Right now I'm wondering why?  Well, I know I wouldn't have gone to this concert if I hadn't been given tickets for my birthday last week.   What an AWESOME gift!

My husband and I arrived early to Alix Goolden Performance Hall and found seats in the front row.  If I sit too far back I sometimes fall asleep at concerts(...yup...I do!).  The sun was streaming in through the intricate stained-glass window of the old church and it was a stunning setting for 19th century piano music.
Charles Foreman was our pianist.  

An accomplished, confident performer, a professor of music, an eloquent speaker, he clearly knew what he was doing:) 

We heard Liszt, Grieg and Schumann.  Grieg and Schumann ended up being our favorites and there were 3 encores!

I'd love to hear Charles Foreman play again!

Friday, February 11, 2011

Monday, February 7, 2011

Stewart Goodyear - Stunning Performance with the Victoria Symphony


Stewart Goodyear playing Beethoven's Hammerklavier sonata .mov


If you ever have the chance to see Stewart Goodyear perform live...jump at it!

Above is a youtube video of Stewart playing Beethoven...it's not the work I heard live yesterday, but at least you'll know who I'm talking about.

He is a Toronto native and a charismatic pianist.

I don't think I've ever been riveted by a classical pianist performing quite the way I was riveted on Stewart's yesterday afternoon.
While he played, I'm not sure I even noticed the symphony. He plays with his entire body and draws your attention completely to his playing. (His hands actually reminded me of that Bugs Bunny cartoon where bugs plays piano.)

He was called in at the last moment to fill in for Andre LaPlante (who'd had a car accident) and played Beethoven's "Emperor" Piano Concerto No.5 with the Victoria Symphony. 

After the first movement the audience applauded...that is unusual in itself. Usually everyone sits there politely and waits for the second movement. 

Then, the adagio was breath-taking. After the third movement he received a standing ovation.

I know for sure I've never heard or seen a performance quite like that.

Saturday, February 5, 2011

Playing for Myself

I'm into a new book and loving it.


(Complete Edition) 
by Dan Haerle

I played for an hour through pages 1-12, creating melodies, improvising with chord tones and scale tones.  It was relaxing and satisfying.  

Next week my lessons with tweens and teens will be infused with some of this.   I'd like my students to experience this relaxed feeling and I think this is a way to get there.
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